Stress (axis): The angle at which contrast occurs, usually ranging from vertical to a somewhat back-slanted diagonal. ĭefinitions Contrast: The degree of difference between the thick and thin strokes ina font (if any). However, the precision and artistic accuracy of this system is perhaps dubious: see Robert Bringhurst’s * Elements of Typographic Style or his article in the first issue of Serif magazine * for a more thorough system. The classification system used here (old style, transitional, modern, sans serif, slab serif, etc.) has the virtues of being both simple and widely used. With later interpretations of earlier forms being relatively common, the style of a given typeface may belong to a quite different period from that of the typeface itself! Further, many typefaces have very complex histories: a type could have been originally designed in metal at one time, reworked by someone else later, made into a phototypesetting face by another person, and then later created in digital form by yet another designer - who might have been working off of any of the above as the basis of their work. So, we continue our “ Brief History of Typography” looking at type forms through the ages!Įven after the rise of old style typefaces in the late 1600s, the blackletter * type was commonly used for setting text for several centuries (well into the 1900s in Germany). One must keep in mind that although typefaces may have come into use at a particular point in time, they often continued in general use far beyond that time.
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